đ Pardon me, the allewhat? (Itâs kind of a moot point.)
đ§ Listen to me read it â just the way I meant it.
đŹ Prefer to read? Hereâs the original text.
View from KittyAnnâs Window
Mercedes and I are sitting outside on the balcony to her apartment. Itâs late April and unseasonably warm, and it feels deliciously indulgent and redemptive to once again lounge about outdoors. We are contained in this tiny alcove, our two patio chairs facing, feet in one anotherâs laps and a blanket spread between us. Weâre drinking a pair of Tom Collins Mercedes made, a bold step away from the Hot Toddies weâd been having of late and a preemptive welcome home to spring. The scene is illuminated by the golden glow of one long strand of those bare bulb string lights they used to have at Macaroni Grill.
Mercedes says she had a plant out here once, but it died.
Iâm telling her the allegory of The Vinegar Tasters.
âPardon me. The allewhat?â Mercedes scoffs.
âAllegory. An allegory is a piece of art, like a story or a painting, that has a hidden meaning. A deep meaning. Like The Tortoise and the Hare, or The Lorax. Actually, these are two impeccable examples, because allegories are usually related to political or moral issues.â
âAh,â she says, nodding. âThe more you know.â
I roll my eyes, just a bit. Her sarcasm is endearing. âThe Vinegar Tasters is a famous Chinese painting that depicts three men tasting vinegar from a pot.â
âThree men drinking from a single pot?â Her tone is incredulous.
âThe vinegar is in a vat, and theyâve each dipped in their finger and tasted it,â I say. Not frustrated. Yet.
âYouâve got an answer for everything,â she says.
I slap her foot, playfully.
âIâm sorry,â she says. She squeezes my toes under the blanket. âIâll be nice. Go on.â
âThe three men are Confucius, Buddha, and Lao Tzu, the founders of Chinaâs three religions.â
âConfucianism, BuddhismâŠâ Mercedes recites, holding up fingers one by one. Her voice trails off.
âTaoism,â I add. Iâm surprised she didnât get the third. âEach man wears a different expression on his face, and that expression represents how that religion perceives life. Confucius has a sour expression because he believes that life is sour and that strict and excessive rules are needed to correct it. Buddha wears a bitter expression because he believes Nirvana is achieved by rising above it all. But Lao Tzu is happy, because to him the vinegar tastes sweet. Taoists believe that things are perfect just being as they are.â
âAnd what does that have to do with it? Being perfect just as they are?â
âLao Tsu hasnât predetermined how he wants the vinegar to taste. He isnât judging it. Heâs simply ecstatic for the experience to taste it, and he accepts it, fully and enthusiastically, forâŠjust, whatever it is.â
âHmm,â Mercedes says. Sheâs thinking about what I said. I can tell because sheâs staring off into the distance, eyes soft. One hand absently perched in her hair like a comb. Then she looks at me and says, âIs that what you believe?â
âItâs what I want to believe. Well, yes.â Itâs more complicated than that, though. âItâs what I try to believe.â
âItâs a lovely thought,â she says. But it lacks conviction and lands like a complement on a dress she decided not to wear.
We sit in silence for a few minutes, watching the river and the trickle of traffic down Front Street. Then Mercedes says, âCan I ask you something?â
âOf course,â I say reflexively.
âHow did you know you wanted to have children?â
I rub my brow. âOh, I donât know. I donât think I ever really thought about it,â I say. âI just had thisâŠpicture of my life. Ever since I was a kid. The way it would look when I was grown up. You know? And that picture had kids in it.â I pause, but this story isnât finished, so I keep going. âI mean, Craig and I talked about it, we made a conscious and intentional decision about each one of them. But Iâm not sure whether I, or we, had a genuine interest in becoming parents or justâŠcreating this family we thought we were supposed to have.â
âHmm,â she breathes quietly. Sheâs still far away. âThatâs heavy.â
I take a deep breath, and it turns into a yawn. âYeah,â I say. Take a beat, let the thoughts brew. Then, âI donât regret having my children. I love them. But if I were making these choices nowâŠI donât know.â I shake my head. I donât like where this is heading. âItâs a delicate path to trod, because I wouldnât be the person I am now if I didnât have them.â
Weâre silent for a moment again. Mercedes seems sad. But maybe sheâs just tired. Itâs late.
âCan I ask you a question?â I venture.
She makes a gesture that isnât quite a shrug or a nod, but I take it as a yes.
âHow did you know you didnât want children?â
âI never really decided I didnât. It just didnât happen for me,â she says, matter-of-factly. Hazy, but not resigned. âI never met someone I wanted to move in with. For a while I thought I was being too picky. But eventually I realized â nothing was wrong with me. I just prefer to live alone. I like myself pretty damn well, and I donât need that level of enmeshment with someone else, please and thank you.â
She takes the one last swig of her drink and sets the glass on the concrete floor. The sound cracks, and the space feels like turbulence stilted.
âAnd anyway, this kind of life,â she says, gesturing around her, âdoesnât naturally invite children into it. So itâs kind of a moot point.â
For a moment I am her, alone and free on this sixth-story balcony, looking out at the river. But it doesnât feel all polished and sophisticated like I want it to be. It feels like a single strand of bare bulbs, a dead tomato plant, and finally getting to use two glasses.
âYeah,â I say. Somethingâs catching in my chest. âThatâs heavy, too.â
She nods. âYeah,â she says. âIt is.â
***
My kids went back to school last Thursday, and Iâve been in some kind of post-apocalyptic-level energy depletion mode ever since. Kind of like nervous system freeze, but more irreverent â not âI canât,â more like, âI donât want to. And you canât make me.â
By Sunday I was moody. My insides felt like what happened when the telephone poll in my driveway fell on the shed where Alex parks his car and sparked out for hours until the fire department came to save me. And I was so over it. Iâd finally staggered across the finish line of the parenting-while-working all summer (also starring: the dishwasher twice a day and a dining room table slowly being swallowed by craft supplies) and I JUST WANTED ONE HOT SECOND TO DO SOMETHING MODERATELY FUN. Not spend whole days recovering fromâŠnervous system fallout.
Hmm.
Once I recognized that my nervous system was just doing a normal thing, I stopped beating myself up about it. So I took a bath. With epsom salts, because that makes it fancy. Kind of indulgent. And mineral-y in ways my body seems to appreciate, even if I canât explain why.
And that bath opened space â for a permission slip. So I hiked. Rock-scrambled to the bottom of the waterfall. Took off my boots. Socks too. Feet in, water biting. Cold. And fresh.
Nothing like fried foods or fried nerves or society, cell towers, or social media.
That helped, in different ways that I couldnât explain. I just thought about how itâs funny that water can both relax and revive. Maybe itâs because it knows how to move.
At the top of the ridge I walked to an outcropping, shaded by hanging branches, the river below. The horizon really stretches up there â you can see for miles, straight across the Susquehanna into Lancaster County.
And somewhere upriver, KittyAnn and Mercedes are looking east across the same water.
It was quiet up there, except for the conversation I was having with myself â about touchy-as-hell subjects like hard relationships and religion and what it means to believe in someone even if you donât believe them.
The dissenting voice was Mercedes. Sheâs been getting louder lately, sharp and insistent â but she doesnât play nice. She calls you out. She argues. Sheâs full of pent-up rage and is honing her blade so sharp you donât know youâre bleeding until you look down.
I think sheâs related to my inner teenager. But Iâd never tell her that. (Iâm too afraid.)
Itâs funny, though, how perspective shifts. The river looks different from Holtwood than it does from Harrisburg. Space feels different when itâs scarce than when itâs standard. Life looks different when youâre KittyAnn than when youâre Mercedes.
But life isnât about being comfortable. Itâs about feeling. Whether the water is hot or cold, the vinegar is sour or sweet â it doesnât matter. Inconsequential, really. Because what matters is that youâre tasting life at all. Because thatâs how you know youâre alive.
This week I learned we donât come back to life by holding still or chasing comfort. We come back by touching whatâs real and letting it move us. And I think thatâs the whole point â of healing, of connection, of life: not to feel good. Just to feel, and to be moved by your ability to do so.
With all my wild heart,
Sadie xo
P.S. If something I said resonated â and youâre craving a space to unpack your own story â get in touch with me. Iâd be honored to hold that space for you.